controlling feedback in semi hollow body guitars

its not like pros and cons of owning a car or having a pet. These guitars often have what is called a piezo pickup installed for stage use. I can think of all the pro's for this guitar, and the only con I can think of is, I really have to spend some time to get proper intonation with that three barrel saddles. Acoustic guitars in particular are known to be volatile feedback magnets. This is especially prevalent in hollow- or semi-hollow guitars, and is tough to fix without lowering volume. whenever I pick it up, it inspires me and how it suits the way I play, and I love the way it sounds. Microphonic feedback, yes (and wax potting normally sorts that) - but it can also be caused by high volume causing the guitar itself to resonate and therefore making the string vibrate. Hollow or semi hollow guitars can be kind of hard to control the feedback. If just preference, I prefer different guitars but I love Teles and its my number one. In order to get feedback, all you really need is a loud amp and an electric guitar.

sustain, and just the physical size of this guitar.īut what are you really trying to get to? I mean, pros and cons of different guitars in terms of? tone? genre? style? Its really hard to get a lot of acoustic in your wedge because it really just starts to feedback as soon as possible. If I really think about this, the above statement is true with Gretsch. of course, I can only bring 1 or 2 during a gig, but the Gretsch hollow body certainly covered most bases even high gain sounds, but given that Im far away from the amp or speakers to reduce any feedback, and I dont play metal. Some semi-hollow bodies appear to be wholly hollow but have a center block just behind the pickups that run the guitar’s length. First, in line with The Log, it was constructed with a solid center block between two hollow wings. they all sound so different that I can just pick a guitar suited for the song Im doing. In an aim to blend the feedback resistance of solid bodies with the warmth and resonance of hollow bodies, McCarty assembled the1958 Gibson ES-335, the first semi-hollow guitar to hit the big time. Honestly I cant think of having any cons with these guitars.

Controlling feedback in semi hollow body guitars